Egypt’s Historical Tourism Push Continues With Epic Opening Ceremony

The Avenue of the Sphinxes looks very fancy now

Avenue of the Sphnix
Avenue of the Sphinx Luxor Temple at night.
Joe Sohm/Visions of America/Univ

When your country’s history has intrigued observers from all over the globe for centuries, it seems impractical not to use that to your advantage. The last few years have seen Egypt embrace its ancient history, putting a growing number of artifacts on display and establishing itself as a destination for historical tourism. All of which seems eminently logical — if people find pyramids, mummies and other relics of a bygone civilization compelling, why not boost tourism that way?

The latest sign of the country’s historical tourism initiative came earlier this month, with the reopening of Luxor’s Avenue of the Sphinxes. As Gareth Harris reports at The Art Newspaper, the epic ceremony celebrated the conclusion of a long-running conservation project for the roadway, which runs 1.7 miles in length and is believed to have originated during the reign of Pharaoh Amenhotep III.

A video produced by the nation’s Ministry of Tourism and Antiquities declared that “Egypt is dazzling the world with its epic stories once again.” And “epic” certainly seems to be an apt description of the ceremony celebrating the avenue’s reopening. The Art Newspaper‘s report cites the inclusion of “participants in pharaonic dress, a symphony orchestra and boats on the Nile.”

One of the side effects of the renovation project offers a glimpse of an even broader array of Egyptian history. The article cites the discovery of some relics that date back to the time when the Roman Empire ruled Egypt — a reminder of the country’s long history and the interconnectedness of the ancient world.

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Tobias Carroll

Tobias Carroll

Tobias Carroll lives and writes in New York City, and has been covering a wide variety of subjects — including (but not limited to) books, soccer and drinks — for many years. His writing has been published by the likes of the Los Angeles Times, Pitchfork, Literary Hub, Vulture, Punch, the New York Times and Men’s Journal. At InsideHook, he has…
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