The Latest

Bob Dylan's Onetime Harlem Residence Is For Sale

The musician lived there in the late 1990s

See/Hear: The Best Movies, TV and Music for August 2025

Featuring new work from Sabrina Carpenter and Spike Lee, plus the return of "King of the Hill"

Cardiff Bars Just Learned How Much Oasis Fans Like Beer

The band kicked off their reunion tour with two concerts there

Even Jack White’s Midlife Crisis Car Is Cooler Than Yours

For his 50th birthday, the rock star got a 1991 Suzuki Samurai he’s “been trying to find for 6 years”

Jeff Tweedy Announces Triple Album “Twilight Override”

He'll be touring North America and Europe to support it

Even After Surprise Surgery, Paul Simon Isn’t Ready to Say Goodbye

During the 83-year-old icon’s intimate new tour, “A Quiet Celebration,” currently in the middle of a five-day run in Los Angeles, he's reckoning with mortality, God and regret

Live Aid at 40: Was It the Best Concert Ever?

Queen, U2, Madonna and Phil Collins ruled a multi-continent show that we'll never see the likes of again

Hitting the High Road: Kane Brown’s Summer of Music and Purpose

We caught up with the country star to talk about his coast-to-coast shows, performing with his wife and a meaningful Crown Royal partnership

Ringo Starr Shouldn’t Be Giving “Extensive Notes” on Beatles Biopic

Biopics are always better when the subject doesn’t get creative control

This Is the Best Way to Find New Music on Spotify

The streaming service's algorithm-driven "Discover Weekly" playlist just turned 10, but there's a better way to find new tunes

Revisiting the Turmoil Behind a Classic Marvin Gaye Album

An excerpt from Ben Edmonds's "Marvin Gaye: What's Going On? and the Last Days of the Motown Sound"

See/Hear: The Best Movies, TV and Music for July

Featuring a new season of "It's Always Sunny," the return of Happy Gilmore and more

Is Spotify's "Fake Artist" Problem Getting Worse?

Is AI behind your next favorite band?

How the Grateful Dead Created the Accidental Future of Sound

"Loud and Clear" by Brian Anderson argues that the band's most ambitious experiments weren't musical or cultural