Emma Stone Is Extraordinary in “Poor Things”
Her role in the Frankenstein-inspired film is an obvious Oscar contender
“Priscilla” Offers a Melancholy New Perspective on One of Pop Culture’s Most Famous Relationships
Sofia Coppola's latest looks at Elvis through the eyes of his young bride
Everything Martin Scorsese Has Ever Done, Ranked
From the classic films to TV shows, ads and shorts, we rated all things Marty
The Definitive Ranking of Every Single Wes Anderson Character
From "Bottle Rocket" to "Asteroid City," we rated every character
“Anatomy of a Fall” Wins the Palme d’Or, Wrapping Up a Solid Cannes
"Zone of Interest" took home the Grand Prix
Wes Anderson’s “Asteroid City” Considers the Future by Looking to the Past
The director's ode to the Space Age sees him turning his focus to questions of ambiguous motivation and mysterious inspiration
“Killers of the Flower Moon,” “May December” and American Myth-Making Dominate Cannes
The new films from Martin Scorsese and Todd Haynes are the highlights of the festival so far
Can an “Indiana Jones” Movie Work Without Steven Spielberg?
"Indiana Jones and the Dial of Destiny" brought nostalgia and a sense of looming mortality to Cannes
Paul Schrader’s “Master Gardener” Is Unafraid of Repeating Itself
As the reformed protagonist Narvel Roth subsumes himself in routine, so Schrader subsumes himself in his familiar formula
Johnny Depp Isn’t Canceled in Cannes
Welcome to an anti-woke film festival, where American stars have freedom of speech — and freedom to air their grievances
“Bones and All” Is Too Hungry to Be a Generational Touchstone
The highly anticipated Luca Guadagnino film feels like it's trying just a little too hard
“Funny Pages” Is a Hilarious Look at Naive Teenage Rebellion
Owen Kline's directorial debut is about subculture and the ways we need to stand out while also fitting in
“Triangle of Sadness” Wins Palme d’Or and Closes an Underwhelming Cannes
All the winners and losers from this year's festival
Baz Luhrmann’s “Elvis” Is So Stupid, It Almost Feels Like Parody
The highly anticipated biopic, which debuted at Cannes this week, feels a little too "Walk Hard"
David Cronenberg Returns to Cannes With the Delightfully Gross "Crimes of the Future"
The director's latest led to walkouts at the festival, but if you can stomach the gore, it's worth your time
“Armageddon Time” and “Triangle of Sadness” Tackle Classism at Cannes
Plus: "Aftersun" becomes an early favorite at the French festival