A24’s “Lamb” Is Darkly, Uniquely, Awesomely Icelandic
The acclaimed writer Sjón chats about "Lamb," a bizarre and touching film that offers a unique window into an oft-misunderstood people
The Most Memorable Performances From the 74th Cannes Film Festival
After a yearlong hiatus, the most exciting names in cinema descended
Inside "Titane," The French Body-Horror Film That Just Won the Palme d'Or
Writer-director Julia Ducournau's film plays with the power dynamic between filmmaker and audience
“The French Dispatch” Is the Wes Anderson-iest Wes Anderson Movie in Decades
And we mean that as a compliment
“The Worst Person in the World” Should Make a Star Out of Renate Reinsve
Reinsve feels like a lock for Best Actress at Cannes 2021 thanks to her turn in Norwegian writer-director Joachim Trier's latest
Adam Driver Won the Opening Night of Cannes 2021
Opposite Marion Cotillard in Leos Carax’s avant garde musical “Annette,” Driver delivers a gymnastic performance that might be his best to date
Revisiting the Film That Launched Laura Dern's Bold, Prolific Career
Before all the Lynchian madness, Dern thrilled as a small-town naif in Joyce Chopra's "Smooth Talk"
Martin Scorsese’s Right: Big Tech Is Killing Cinema
Writing for Harper's, Scorsese filed his most incisive polemic to date against streaming's continued — and perhaps insurmountable — influence
Sixty Years Later, “Purple Noon” Is Still the Essential Summer Crime Thriller
The 1960 French adaptation of Patricia Highsmith's "The Talented Mr. Ripley" has everything you need