All the Films to Know From Cannes 2025, the Most Political Festival in Years
The theme on the ground this Cannes was that the rest of the world is in the brace position awaiting America’s next move
“Anora” and a Victory for American Indie Film Wrap Up Cannes 2024
...but was "All We Imagine As Light" more deserving?
Cannes Enters Its Home Stretch Without a Clear Frontrunner
Plus: Kevin Costner, Paul Schrader and David Cronenberg grapple with mortality
Every Summer Blockbuster Since 1975, Ranked
From "Jaws" all the way to "Barbie," we ranked the highest-grossing movies of the summer
In “The Substance,” Aging Is the Ultimate Body Horror
Plus: "Emilia Perez" isn't worth the hype at Cannes
Francis Ford Coppola’s “Megalopolis” Is Overambitious, Undercooked and Profoundly Moving
The director's highly anticipated hot mess needs to be seen to be believed
“Furiosa” Kicks Off a Cannes Full of Big Swings
Plus: "The Second Act" makes us fret over the state of cinema
Emma Stone Is Extraordinary in “Poor Things”
Her role in the Frankenstein-inspired film is an obvious Oscar contender
“Priscilla” Offers a Melancholy New Perspective on One of Pop Culture’s Most Famous Relationships
Sofia Coppola's latest looks at Elvis through the eyes of his young bride
Everything Martin Scorsese Has Ever Done, Ranked
From the classic films to TV shows, ads and shorts, we rated all things Marty
The Definitive Ranking of Every Single Wes Anderson Character
From "Bottle Rocket" to "Asteroid City," we rated every character
“Anatomy of a Fall” Wins the Palme d’Or, Wrapping Up a Solid Cannes
"Zone of Interest" took home the Grand Prix
Wes Anderson’s “Asteroid City” Considers the Future by Looking to the Past
The director's ode to the Space Age sees him turning his focus to questions of ambiguous motivation and mysterious inspiration
“Killers of the Flower Moon,” “May December” and American Myth-Making Dominate Cannes
The new films from Martin Scorsese and Todd Haynes are the highlights of the festival so far
Can an “Indiana Jones” Movie Work Without Steven Spielberg?
"Indiana Jones and the Dial of Destiny" brought nostalgia and a sense of looming mortality to Cannes
Paul Schrader’s “Master Gardener” Is Unafraid of Repeating Itself
As the reformed protagonist Narvel Roth subsumes himself in routine, so Schrader subsumes himself in his familiar formula