Movies

Harmony Korine Set Out to Revolutionize Cinema With “Aggro Dr1ft.” Instead He Made Something Terrifically Stupid.

The director's latest is an impulse-driven, almost childlike approach to image-making

Movies

Richard Linklater’s Delightful “Hit Man” Features a Star Turn From Glen Powell

It's the most charming rom-com we'll see until...the next time Powell appears onscreen

Movies

Alexander Payne’s “The Holdovers” Is an Instant Holiday Classic

The lonely Christmas tale premiered at TIFF over the weekend

Movies

“The Boy and the Heron,” Hayao Miyazaki’s Final Film, Is a Profound Tale of Loss

The "Spirited Away" director's latest made its debut at the Toronto International Film Festival this weekend

Movies

“The Royal Hotel” Turns Toxic Masculinity Into Horror-Movie Fare

Kitty Green's thriller is stirring — until it paints itself into a corner

Movies

"Passages" Director Ira Sachs Wants to Bring Sex Back to American Cinema

The filmmaker describes his movie's controversial NC-17 rating as "censorship"

Movies

What's Up With Those Really Long Standing Ovations at Cannes?

How did we get to a point where five straight minutes of applause is considered a "lukewarm reception"?

Movies

“You Hurt My Feelings” Is an Excellent Examination of Ego and Self-Esteem

Nicole Holofcener's latest asks us to ponder what's more important: honesty, or support?

Movies

"Beau Is Afraid" Is a Dementedly Ambitious Look at Mommy Issues

Is the director simply having a laugh or baring the innermost contents of his private psyche?

Movies

Gregg Araki Wants Gen Z to Get Acquainted With “The Doom Generation”

The '90s cult classic returns to theaters in search of a new audience

Movies

How the “Inside” Team Turned a Manhattan Apartment Into a Prison

The film's director and set designer explain how the penthouse Willem Dafoe's art thief winds up trapped in acts as another character

Movies

It’s a MILF’s World. We’re Just Living in It.

From "MILF Manor" to "80 for Brady," randy older women are having a moment in pop culture. But is it empowering, or have we simply traded one fantasy for another?