“Babylon” Is a Massive, Ambitious Spectacle
Damien Chazelle's ode to Hollywood's Golden Age is the evil twin of "La La Land"
No Sitcom Nailed Christmas More Perfectly Than “30 Rock”
On Colleen and Jack Donaghy and finding comfort within the conflict
In Defense of Lars von Trier’s Sick Sense of Humor
On "The Kingdom," "The Boss of It All" and the director's underrated ability to make us laugh
“TÁR” Is the First Movie to Really Get Cancel Culture Right
Director Todd Field's film is the first nuanced, non-embarrassing take on the issue
"God's Creatures" Directors on Bringing the Sexual Assault Story to Life
Anna Rose Holmer and Saela Davis explain why every detail counts when you're dealing with such sensitive subject matter
Brendan Fraser Is Incredible in “The Whale,” But the Rest of the Film Is Another Story
The actor's performance deserves all the hype it's getting, but ultimately the rest of Darren Aronofsky's film isn't worthy of it
Steven Spielberg Turns the Camera on Himself With the Stunning “The Fabelmans”
The director's semi-autobiographical tale is a reminder that he's everywhere in his films even when we can’t see him
“Knives Out” Sequel “Glass Onion” Ups the Spectacle and Social Commentary
Director Rian Johnson looks to outdo himself, with mixed results
“Women Talking” Offers a Complicated “Me Too”-Inspired Conversation
Sarah Polley's discourse-heavy film is equal parts tone-deaf and inspiring
“How to Blow Up a Pipeline” Pairs Environmental Activism With Heist-Movie Thrills
We caught up with director Daniel Goldhaber ahead of his film's premiere at the Toronto International Film Festival
Why Is It So Hard to Accurately Represent Gen Z on Film?
"Bodies Bodies Bodies" is the latest movie so eager to crack the pathology of the youths that it loses the texture of actual teenage behavior
Lena Dunham’s “Sharp Stick” Is Sneakily Traditionalist — Just Like the Rest of Her Work
For a filmmaker known for her transgression, Dunham has a weird underlying conservatism
“The Black Phone” and the 5 Simple Rules for Locked-Door Horror
If we can figure a way out before the characters do, the movie falls apart
“Mad God” Maps a Bustling Stop-Motion Hellscape
Phil Tippett's stunning new film is 30 years in the making
On “Men” and the Heavy-Handedness of Highbrow Horror
Director Alex Garland's latest is too preoccupied with its obvious subtext to deliver any genuine scares
Ben Affleck and Ana de Armas Revitalize the Erotic Thriller With “Deep Water”
The former couple bring the right amount of exhibitionism to the long-dormant genre