Wes Anderson’s “Asteroid City” Considers the Future by Looking to the Past
The director's ode to the Space Age sees him turning his focus to questions of ambiguous motivation and mysterious inspiration
“Killers of the Flower Moon,” “May December” and American Myth-Making Dominate Cannes
The new films from Martin Scorsese and Todd Haynes are the highlights of the festival so far
Can an “Indiana Jones” Movie Work Without Steven Spielberg?
"Indiana Jones and the Dial of Destiny" brought nostalgia and a sense of looming mortality to Cannes
An Uber-Violent Take on "Bambi" Is In the Works. "SNL" Saw This Coming.
The "Winnie-the-Pooh: Blood and Honey" filmmakers have a new project in the works
Johnny Depp Isn’t Canceled in Cannes
Welcome to an anti-woke film festival, where American stars have freedom of speech — and freedom to air their grievances
The Best Bars in Cannes, According to the City's Top Bartender
Emanuele Balestra, known for his aromatic cocktails, has recommendations including a reinvented mainstay and a Paris import
“Triangle of Sadness” Wins Palme d’Or and Closes an Underwhelming Cannes
All the winners and losers from this year's festival
Baz Luhrmann’s “Elvis” Is So Stupid, It Almost Feels Like Parody
The highly anticipated biopic, which debuted at Cannes this week, feels a little too "Walk Hard"
David Cronenberg Returns to Cannes With the Delightfully Gross "Crimes of the Future"
The director's latest led to walkouts at the festival, but if you can stomach the gore, it's worth your time
“Armageddon Time” and “Triangle of Sadness” Tackle Classism at Cannes
Plus: "Aftersun" becomes an early favorite at the French festival
Opening Night at Cannes 2022: Can Cinema Save Us From Ourselves?
The French festival kicked off with a "Top Gun" flyover and a message from Ukrainian president Volodymyr Zelensky
The Most Memorable Performances From the 74th Cannes Film Festival
After a yearlong hiatus, the most exciting names in cinema descended
Inside "Titane," The French Body-Horror Film That Just Won the Palme d'Or
Writer-director Julia Ducournau's film plays with the power dynamic between filmmaker and audience
“The French Dispatch” Is the Wes Anderson-iest Wes Anderson Movie in Decades
And we mean that as a compliment
“The Worst Person in the World” Should Make a Star Out of Renate Reinsve
Reinsve feels like a lock for Best Actress at Cannes 2021 thanks to her turn in Norwegian writer-director Joachim Trier's latest