TV

David Sedaris Clarified the Humorist-Comedian Line on “Real Time”

Bill Maher and guests talked TikTok, toxic masculinity and nepo babies

David Sedaris

David Sedaris joined Bill Maher for a new "Real Time" episode.

By Tobias Carroll

David Sedaris took to the Real Time With Bill Maher stage wearing shorts and knee socks. When asked about it, he simply replied, “I look good.” (I’d argue that yes indeed, he pulled off the look.) This was, Maher observed, Sedaris’s first appearance on the show — and he quickly went down an interesting path, discussing the differences between comedians and humorists.

From there, Maher expressed his admiration that Sedaris could fill a room listening to him reading from a book. (Sedaris’s latest, Happy-Go-Lucky, was published last year; the paperback will be out in May.) “It’s the laziest form of show business,” Sedaris said.

Sedaris also discussed someone rushing the stage when he gave a commencement address at Oberlin. Maher brought up his frustration that no one has yet done that to him — which, he clarified, was a joke. (Hopefully this won’t look in retrospect like a case of tempting fate.)

The first half of the interview found Maher commiserating with Sedaris over their frustrations with the younger generation. This took a few forms, including Sedaris lamenting the idea that teenagers aren’t working after school jobs as much any more. It’s certainly a theme Maher has brought up with many of his guests, but it also felt like a strange line of inquiry to bring up for this particular guest.

Sedaris did find a way to work the format into a way for him to shift into a more storytelling-focused mode. Conversation about teenagers provided him a way to segue into a story about a volunteer job he’d had in his youth at the state mental hospital. “I was 14, strapping a naked woman to a gurney — now that’s an education!” he said.

In the interview’s second half, interviewer and interviewee clicked far better. Maher asked Sedaris about his book and writing about his father’s dementia and death. “Art is kind of a receipt for pain,” Maher said — and the moments where the two of them found common ground in turning difficult personal moments into creative work. The whole thing circled back around to the question of age and aging, as Sedaris talked about always wanting to be better at his craft — a laudable goal if ever there was one.

Some other thoughts on the episode:

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