The Latest

Michael Caine Is Selling Off His Rolex and Other Mementos as He “Downsizes”

The Sir Michael Caine Collection will be auctioned through Bonhams

Peter Bogdanovich Is Dead. Long Live the Bandana.

On the occasion of the filmmaker’s death, we revisit his timely penchant for the bandana (just don’t call it an ascot)

Leonardo DiCaprio Now Has a Namesake Plant

It's an evergreen found in Cameroon

Wes Anderson Moves to Netflix for Roald Dahl Adaptation

"The Wonderful Story of Henry Sugar" is in the works

Legendary Actor Sidney Poitier Dead at 94

The groundbreaking performer was the first Black man to win an Oscar for Best Actor

The Young James Bond Prequel That Wasn't

Tom Holland recently revealed he once pitched a James Bond origin story to Sony

Peter Bogdanovich, Director of “The Last Picture Show” and “Paper Moon,” Dead at 82

The director died Thursday of natural causes, according to his daughter

Jon Stewart Does Not Think J.K. Rowling Is Anti-Semitic

The comedian clarified his recent comments about the goblins in Harry Potter and their resemblance to anti-Semitic caricatures

The “Beatles: Get Back” Rooftop Concert to Screen on IMAX This Month

The docuseries will also finally be released on Blu-ray and DVD on Feb. 8

Frequent Adam Sandler Collaborator Peter Dante Flips Out After Being Asked to Wear a Mask

The actor was caught on video throwing a tantrum after being denied entry

A Brief History of Celebrities Distancing Themselves from Gal Gadot's "Imagine" Video

The actress has finally admitted that her much-hated video was "in poor taste"

The Best Movies, TV, Books and Music for January

“The Afterparty” aims to be the next “Only Murders in the Building”

Betty White, Award-Winning Actress, Dead at 99

She was a few weeks away from turning 100

The Year That Hollywood Finally Got Video Games Right

It only took five decades for gaming to find a real connection to film and TV

How Joel Coen and Bruno Delbonnel Breathed New Life Into "Macbeth"

The director and his cinematographer relied on simplicity and classic techniques to realize a radical version of one of Shakespeare's most famous texts