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The Best Films of 2017

The year gets serious as RealClearLife's Thelma Adams reviews her top picks.

‘Star Wars: The Last Jedi’ Keeps Box Office Crown, But is No ‘Force Awakens’

Drop of 69 percent from opening weekend may show disgruntled rogues won.

‘All the Money in the World’ Spent Wisely to Ditch Kevin Spacey

Director Ridley Scott made a savvy, quick decision as the #MeToo movement changes the industry.

Spielberg’s ‘The Post’ Salutes Journalism of a Bygone Era

Tom Hanks and Meryl Streep revel in the past glory of the news business.

‘Star Wars: The Last Jedi’ Hits $220M Mark Despite Some Disturbance in Force

Vocal minority of disgruntled fans drowned out by record box office.

The Golden Globes: All Balls, No Bite

The Hollywood Foreign Press Association continues to sing "Why Can't a Woman Be More Like a Man?"

‘The Last Jedi’ Has Enough Force to Save the Franchise

The Star Wars saga now belongs to Rey, Finn and Poe.

Should Classic Films Be Judged By Today’s Cultural Standards?

We can no longer "thank heaven" for little girls.

Wiseau Serious? ‘The Disaster Artist’ Celebrates a Paranoid Bully

James Franco wastes the movie's heart on a flawed subject.

Tom Hanks on the Attitudes That Enable Sexual Harassment in Hollywood

The Oscar-winner said he was unsurprised by the wave of allegations in the movie industry.

Does Pixar’s ‘Coco’ Owe Its Success to ‘The Book of Life’?

An animated controversy over two Día de los Muertos cartoon films.

Inside Nollywood: Nigeria’s Booming Movie Industry

Emily Witt, author of "Nollywood: The Making of a Film Empire," explains its rapid growth.

Movie Review: Is Louis C.K.’s ‘I Love You, Daddy’ a Cry For Help?

Film critic Thelma Adams finds the canceled film shows what's twisted in Hollywood culture.

Why Does Hollywood Love Remakes So Much?

As "Murder on the Orient Express" arrives in theaters, we look at the allure of the movie reboot.